Theatre & Opera Portfolio

The Gravity

Bristol Old Vic, 2020

I created the sound design and original compositions for a work-in-progress showing at Ferment Festival 2020. The Gravity is a new piece exploring suicide and despair with influences from the world of satire, black comedy, sci-fi and games. Written and directed by Madeline Shann, video design by Limbic Cinema.

Kill Climate Deniers

The Pleasance, 2019

I created the sound design for this dark political climate-change satire, including a banging soundtrack full of classic 90s dance tunes. Directed by Nic Connaughton, design by Prinx Lydia, lighting design by Geoff Hence and video design by Will Monks.

The Shape of the Pain

Battersea Arts Centre & Summerhall, 2017

I was Sound Associate for this unique one-woman show about living with chronic pain. Original Score and sound design by Melanie Wilson. Presented by China Plate, developed by Rachel Bagshaw and Chris Thorpe, conceived and directed by Rachel Bagshaw, written by Chris Thorpe. Fringe First Winner 2017.

Mind Games

Arcola, 2017

I created an interactive guided audio tour for this unique community, performance-based installation which investigated personal and social responses to Mental Health and Wellbeing. The installation took place in performances in Gillett Square in Dalston, east London. Audience members wore headsets to experience and be guided by the audio parts of the tour, which included voice over, music and soundscapes. Performers interacted with the audience at staged parts of the tour, inviting them to share experiences and take part in games. Full list of creatives here

The Man on The Moor

Edinburgh Fringe Festival, 2017

Sound design and voice over recording for Max Dickin’s one man show

The Drag

Arcola, 2017

I created the sound design for this adaptation of Mae West’s notorious 1927 play. Adapted and directed by Peter Darney.

The X

Arcola, 2017

Sound design for an re-imagining of La Prisonnière by Edouard Bourdet. Directed by Rubyyy Jones.

Shakespeare’s Sister

Academy of Live and Recorded Arts, 2016

I created the sound design for the premier of Shakespeare’s Sister by Emma Whipday, a modern play set in Shakespeare’s time. Directed by Titania Krimpas.

The Little Prince

Arcola, 2016

Sound design for a modern stage adaptation of the classic book. Directed and adapted by Nick Connaughton.

Cancel the Sunshine

Hope Theatre, 2016

I created the sound design for this original work by Chantelle Dusette. Directed by Scott le Crass.