Sound Design
Audio Drama
Sound design, production, recording, editing and mixing services. Working on location and in studio.
Credits Include
The Sandman: Act 2 (Audible Originals)
The Sandman: Act 3 (Audible Originals)
Based on the acclaimed graphic novels by Neil Gaiman
Ada Lovelace Cracks the Code & 4 more (Audible audiobooks)
Greenborne (B7 Media)
12-part radio soap series
Persuasion (Audible Original) - part of The Jane Austen Collection
The Space Race (B7 Media/Audible)
Gold Award - New York Festivals Radio Awards
Eleanor of Aquitaine: Mother of the Pride (B7 Media)
Silver Award - New York Festivals Radio Awards
The Treasure of Abbot Thomas (Bafflegab Productions/Audible)
BRASS: The Audio Series (Battleground Productions)
Theatre
Skills include sound effects creation, voice over recording & production, score reading, composition and sequencing and sound operation. Experienced user of QLab and Show Cue System, ProTools, Reaper and a wide variety of sound desks, microphones, speakers and sound equipment.
Credits Include
The Quality of Mercy (Offie award finalist)
The Gravity (Bristol Old Vic)
Kill Climate Deniers (Pleasance)
The Shape of the Pain (sound associate, Summerhall)
The Little Prince (Arcola)
“Sound designer Kirsty Gillmore backs the production with a galvanising wall of electronica, featuring throbbing dance classics and crackly, claustrophobic electronic effects”
“The stark and morose soundtrack by Kirsty Gillmore is astonishing”
“A subtle and extremely effective soundscape”
Opera
Credits Include
L’Ospedale (Wilton’s Music Hall)
Don Giovanni (Peacock Theatre)
“The humour is savagely politicised. Abati’s prologue and epilogue become speeches from a duplicitous minister in the House of Commons, complete with baying backbenchers”
“The spoken prologue and epilogue (in English) come over a PA from a distinctly David Cameron-like character (the phrase “big society” appears at least once) with a background of distinctly House-of-Commons-like sound effects. It’s all good, riotous fun”